A few weeks ago, while I was listening and enjoying the music,
the left channel went silent. I discovered that the 5842 tube of
my 45 amplifier died a graceful death - while singing.
I only have ONE pair left of a compatible tube and that's my
WE417A, which I will pay an enternal thanks to oldfogey. I don't
plan to use this for my 45 amp, as it is reserved for my
headphone amplifier instead. One way to revive the amp is to
revise the circuit and use an available tube in my trash bin.
But, DIY is not in my vocabulary right now. I'm burned to death,
and lost the passion.
But I've never lost the love for music, so in the name of love
for music, I have to do something.
I spent my past weekend with the big grin still etched on my
face today. Why? Because I AUDITIONED!
Thanks to the boys at Architectural Audio, especially to Epoy
for putting up with me and for not getting tired in me taking
home their gear for audition just to return it because it didn't
work in my setup. Thank you also to Noel of Audio Amplified, to
Eric of Acoustic Dimensions, wait a minute... they all start
with 'A'
I still like the feeling of being 'horny' and I have no plans to
let go of my little horny system, which by the way, thank you to
Joey of Harana Audio for giving it a facelift. So whatever
amplifier I will get should work with my speakers, a DIY route.
Oh by the way, another thank you to Joseph Esmilla for having
patience with me in tuning this speaker and being a mentor while
I'm trying to get a good sound out of it.
Being an efficient system that can rock given 1.5W of power from
my 45 amplifier, I look forward to a small integrated amplifier.
Dino Lara who's been away from Wiredstate for many years
suddenly pop up and that gave me the idea.
Last friday, I went to Architectural Audio and I took it home.
Epoy told me to keep it plugged overnight, so that I can enjoy
it better the following morning.
This thing has a weird speaker connection and an equally weird
speaker cable that goes with it. I was told I can't use my DIY
speaker cables made using OTA wires, also from Architectural
Audio. Since my horny system does not have a binding post (yeah,
I suck) I had to pull out the solding iron from the dumps and
attach a pair of binding posts to each crossover (modified from
an off-the shelf crossover bougth from Centrise Trading in
Guadalupe).
Putting in those binding posts took the toll out of my
remainging strength and knocked me down to sleep.
When I woke up the following morning, I immediately checked the
amplifier and the binding posts if they're still attached to the
crossover. It was a hush-hush job nowhere near what a Rene
Rivo would ever do on his laziest nights. But it held up, so I
took out the first record and...
DAMN! This amplifier has a different sonic characteristic from
what I'm usually accustomed with. It enveloped me with its rich,
and open midrange. With my speakers, I get that horny flavor
without being shouty. It's so sweet I can actually lick it. This
is something I've never experienced before! The tonal quality
with my speakers are so wonderful and natural, and yet it
sounded so dynamic. Thanks to me for AUDITIONING it.
As I spun records in succession, which I have not done for a
very long time, I'm becoming in love with the musical qualities
of this amplifier, coupled with my speakers of course. And did I
tell you they're horns?
Another quality that I truly appreciates is the macro- and
micro-dynamics and resolution I'm now enjoying. I don't even
know what the damping factor of this amplifier is, but the
control and pacing was exceptional. From memory, I only heard
these qualities from a megabuck system featured in a past HiFi
Show (coming to again this November) where I heard the Blue Man
Group The Complex Tour played with this kind of characteristics.
Thank you to Cong Jack Duavit and partner Keith Roy for letting
me audition a system I can never, ever afford. Unless
I win the Lotto, of course.
But wait! There seems to be somthing lacking in thes
combination. Where's the bass I'm used to feel creeping from the
wooden floor? The mid bass is very very good, well articulated
and detailed. Attack and decay, focus and separation are top
notch overall. I now have a high-end sound I can afford (I have
to subject myself to a noodles diet for two months) but I still
miss the lower octave.
Since I cannot change the speaker wires, I thought of changing
the interconnects. I am eternally grateful to Keith Roy for
these wonderful Verbatim cables terminated with Eichmann Bullet
Plugs (a product I used to distribute and sell). So into the
system it goes, and wham! I'm not deaf yet!
Putting in the Verbatim cable to replace the entry level
Clearaudio SmartWire was a night and day difference. The
creeping bass is back, but now more muscular and solid. No
excess fat here!
Overall, the integration and coherence was solid! Tonality and
musicality is solid! It sounded so natural, with full control
and transient lucidity.
Ladies and gentlemen, the NAIM NAIT5i. I'm getting one.